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Michael E. Smith (b. 1977) transforms found objects into hauntingly sparse sculptures that reveal only the most rudimentary traces of their former function. Composed of natural and synthetic detritus, the sculptures are distilled to abstract, often loosely corporeal forms that highlight the tension between our affinity for excess and penchant for wastefulness. Smith's installations are immersive experiences, rather than straightforward presentations of sculptural objects. Careful consideration of the architectural and ambient features of the exhibition space is integral to his process, as too are the social aesthetics and politics of Smith's hometown of Detroit, which specifically come to bear on this exhibition, the first major museum show by the artist in his native state of Michigan.