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Gladstone Gallery is pleased to present its fourth exhibition by artist Roe Ethridge, whose photographs deconstruct visual syntax by consciously reworking tropes of both stock imagery and fine art. These new works serve as an extended meditation on genres and styles associated with the traditions of Dutch painting, particularly the still life, domestic scene, and portraiture. Ethridge reflects on these models as foundational to "visual culture" in exposing the image as a material construction that simultaneously produces and is produced by complex relationships: artist and subject, nature and technology, and the personal and the social. Through this lens, he connects disparate figures, including mushroom spores, holiday tchotchkes, and fashion models, via subtle formal cues-such as color, reoccurring motif, or compositional correspondence-that denaturalize the photograph's claims to objectivity.