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Ricci Albenda, breathe., 2022

Ricci Albenda

breathe., 2022

Acrylic on paper mounted to painted canvas

44 x 74 inches (111.8 x 188 cm.)

Uri Aran, Children, 2022

Uri Aran

Children, 2022

Wood stain, oil, acrylic, graphite and oil pastel on wood

17 x 14 5/8 inches (43.2 x 37.1 cm.); 17 3/4 x 15 3/8 x 1 3/8 inches (45.1 x 39.1 x 3.5 cm.) framed

Darren Bader, three sculptures

Darren Bader

three sculptures

dimensions variable

Ernie Barnes, Blue Player vs. 2 Orange Football Players, 1989

Ernie Barnes

Blue Player vs. 2 Orange Football Players, 1989

Acrylic and gesso on paper

26 x 40 inches (66 x 101.6 cm.); 28 7/8 x 42 7/8 x 2 inches (73.3 x 108.9 x 5.1 cm.) framed

Andrea Bowers, Woman with Ivory Billed Woodpecker, 2022

Andrea Bowers

Woman with Ivory Billed Woodpecker, 2022

Acrylic on cardboard

18 x 18 1/4 x 3 inches (45.7 x 46.4 x 7.6 cm.)

Julien Creuzet, Our secrets back to back, our secrets in our romances. Many torments, many dreams, many hallucinations, many fantasies before we fall asleep: meta and universe, tail of the dolphinfish (Coryphaena or Mahi-Mahi) drawn in the coat of arms of the Barbados islands, meta and universe, part of the ammonium nitrate molecule, fertilizer, meta and universe, leaves of Neurolaena lobata, «Herbe à pic» in the West Indies, known as a traditional treatment for wounds and infections, and used since 2020 against SarsCov2. Many torments, many dreams, many hallucinations, many fantasies before we fall asleep: meta and universe, sargassum baciferum, floating seaweed. Due to the increase in nitrates released by the Amazon, seaweed grow in large quantities in the Sargasso Sea and are then dropped off by the currents on the Caribbean beaches, meta and universe, part of 1956 american machine that produce ammonium nitrate, a fertilizer from the nitrogen in the air, meta and universe, head of one of the pink flamingo drawn in the coat of arms of the Turks and Caicos islands, meta and universe, last part of the ammonium nitrate formula.

Julien Creuzet

Our secrets back to back, our secrets in our romances. Many torments, many dreams, many hallucinations, many fantasies before we fall asleep: meta and universe, tail of the dolphinfish (Coryphaena or Mahi-Mahi) drawn in the coat of arms of the Barbados islands, meta and universe, part of the ammonium nitrate molecule, fertilizer, meta and universe, leaves of Neurolaena lobata, «Herbe à pic» in the West Indies, known as a traditional treatment for wounds and infections, and used since 2020 against SarsCov2. Many torments, many dreams, many hallucinations, many fantasies before we fall asleep: meta and universe, sargassum baciferum, floating seaweed. Due to the increase in nitrates released by the Amazon, seaweed grow in large quantities in the Sargasso Sea and are then dropped off by the currents on the Caribbean beaches, meta and universe, part of 1956 american machine that produce ammonium nitrate, a fertilizer from the nitrogen in the air, meta and universe, head of one of the pink flamingo drawn in the coat of arms of the Turks and Caicos islands, meta and universe, last part of the ammonium nitrate formula.

2022

Metal, plastic, fabric

102 x 74 x 22 1/2 inches (259.1 x 188 x 57.1 cm.)

Michael Dean, Unfucking Titled Cope, 2021

Michael Dean

Unfucking Titled Cope, 2021
Concrete and steel
65 1/8 x 50 x 29 inches (165.4 x 127 x 73.7 cm.)

Roe Ethridge, Conch on Mirror with Tiffany Brooch, Starfish and Squid, 2022

Roe Ethridge

Conch on Mirror with Tiffany Brooch, Starfish and Squid, 2022

Dye sublimation print

33 x 44 inches (83.8 x 111.8 cm.); 34 x 45 x 2 inches (86.4 x 114.3 x 5.1 cm.) framed

Hadi Falapishi, Leaving Home, 2022

Hadi Falapishi

Leaving Home, 2022

Unique light drawing on photosensitive paper, quilt

88 x 84 inches (223.5 x 213.4 cm.)

Oliver Lee Jackson, Hilo Painting I (1.23.12), 2012

Oliver Lee Jackson

Hilo Painting I (1.23.12), 2012

Oil-based paint, silver spray enamel, mixed media on gessoed linen

84 x 72 inches (213.4 x 182.9 cm.)

Moshekwa Langa, To Be Titled, 2020/2021

Moshekwa Langa

To Be Titled, 2020/2021

Mixed media on paper

55 1/8 x 39 3/8 inches (140 x 100 cm.); 58 3/4 x 43 x 2 1/4 inches (149.2 x 109.2 x 5.7 cm.) framed

Bertina Lopes, Omaggio a Venezia [Tribute to Venice], 1975

Bertina Lopes

Omaggio a Venezia [Tribute to Venice], 1975

Oil on canvas

39 3/8 x 47 1/4 inches (100 x 120 cm.); 40 3/4 x 48 3/4 x 1 1/2 inches (103.5 x 123.8 x 3.8 cm.) framed

Raymond Saunders, Untitled, n.d.

Raymond Saunders

Untitled, n.d.

Mixed media on panel

80 1/2 x 35 1/2 x 3 inches (204.5 x 90.2 x 7.6 cm.)

Hollis Sigler, The Beginning Of The End, 1996

Hollis Sigler

The Beginning Of The End, 1996

Oil on canvas with painted frame

32 x 36 inches (81.3 x 91.4 cm.)

Michael E. Smith, Untitled, 2022

Michael E. Smith

Untitled, 2022

basketball, broomstick

44.5 x 9.5 x 9.5 inches (113.03 x 24.13 x 24.13 cm)

Cheyney Thompson, Displacement (41616, 1), 2022

Cheyney Thompson

Displacement (41616, 1), 2022

Oil and acrylic on linen

80 3/8 x 80 3/8 inches (204.2 x 204.2 cm.);
113 5/8 x 113 5/8 inches (288.5 x 288.5 cm.) installed

Erika Verzutti, Venus Abelha (Bee Venus), 2022

Erika Verzutti

Venus Abelha (Bee Venus), 2022

Bronze, acrylic paint, cotton thread

43 1/4 x 23 5/8 x 23 5/8 inches (109.9 x 60 x 60 cm.)

He Xiangyu, The Lines 1-1, 2022

He Xiangyu

The Lines 1-1, 2022

Pencil, colored pencil, oil colored pencil, water color, oil stick,
acid-free oil-based marker, edding, Japanese ink on paper

59 7/8 x 41 3/4 inches (151.9 x 106 cm.); 63 1/8 x 45 1/8 x 1 5/8 inches (160.3 x 114.6 x 4.1 cm.) framed