Hito Steyerl (born 1966 in Munich, Germany) is a filmmaker, visual artist, writer, and innovator of the essay documentary.
Her prolific filmmaking and writing occupies a highly discursive position between the fields of art, philosophy and politics, constituting a deep exploration of late capitalism’s social, cultural and financial imaginaries. Her films and lectures have increasingly addressed the presentational context of art, while her writing has circulated widely through publication in both academic and art journals, often online.
She studied Documentary Film Directing at the Japan Institute of the Moving Image and at the HFF – University of Television and Film in Munich. She subsequently studied Philosophy at the Academy of the Arts in Vienna, where she received her doctorate.
She is Professor for Experimental Film and Video at the UdK – University of the Arts, Berlin, where she founded the Research Center for Proxy Politics together with Vera Tollmann and Boaz Levin.
She has had solo exhibitions at the National Museum of Modern and Contemporary Art, Seoul (2022); Stedelijk Museum, Amsterdam, (2022); Centre Pompidou, Paris (2021); K21 Kunstsammlung, Dusseldorf (2021); n.b.k, Berlin (2019); Park Avenue Armory, New York (2019; Kunstmuseum Basel, Basel (2018); Castello di Rivoli, Turin (2018); The Institute of Contemporary Art, Boston (2017); the Museum of Contemporary Art, Los Angeles (2016); Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain; Artists Space, New York; Institute of Modern Art, Brisbane, Australia (2015); Van Abbemuseum, Eidenhoven, The Netherlands; ICA, London, UK; Künstlerhaus Stuttgart, Germany (2014); Museum of Contemporary Art Chicago (2013); the Art Institute of Chicago; E-flux, New York (2012); Chisenhale Gallery, London, UK (2010); Neuer Berliner Kunstverein (2009); and Moderna Museet, Stockholm (2008).
Group exhibitions include Vasos comunicantes, Collection 1881 - 2021, Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain (2022); May You Live In Interesting Times, 58th Venice Biennale, Venice Italy; the Museum of Contemporary Art, Chicago (2018); Castello di Rivoli (2017); the Whitney Museum of American Art, New York (2016); the German Pavilion, 56th Venice Biennale, Venice, Italy; the Hannover Kunstverein, Hannover, Germany; CAC Vilnius, Vilnius, Lithuania (2015); Cut to Swipe, Museum of Modern Art, New York; The Darknet, Kunst Halle Sankt Gallen, Switzerland; Bienal de la Imagen en Movimento, Goethe- Institut Buenos Aires, Argentina (2014); The Way of the Shovel: Art as Archeology, MCA Chicago; Nine Artists, Walker Art Centre, Minneapolis; Stedelijk Museum Amsterdam, Amsterdam, The Netherlands; Bergen Triennial, Bergen, Norway; Venice Biennale (2013); Taipei Biennial; Gwangju Biennial (2010); documenta 12, Kassel (2007) and Manifesta 5, San Sebastian (2004).
A selection of her essays, published in various places, are summarized in four books: Die Farbe der Wahrheit (The Color of Truth; Vienna: Turia Kant, 2008), The Wretched of the Screen (Berlin: Sternberg Press, 2012), Beyond Representation (Berlin 2016), and Duty Free Art – Art in the Age of Planetary Civil Wars (London: Verso, 2017 / Zurich: Diaphanes, 2018).
Steyerl lives and works in Berlin.