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Goshka Macuga, Atlas  Permanent Installation, Fondazione Prada, Milan, Italy

Goshka Macuga, Atlas 
Permanent Installation, Fondazione Prada, Milan, Italy
(Pictured with Betye Saar)
Photo: Delfino Sisto Legnani and Alessandro Saletta

Goshka Macuga, Atlas  Permanent Installation, Fondazione Prada, Milan, Italy

Goshka Macuga, Atlas 
Permanent Installation, Fondazione Prada, Milan, Italy
(Pictured with Betye Saar)
Photo: Delfino Sisto Legnani and Alessandro Saletta

Goshka Macuga, Atlas  Permanent Installation, Fondazione Prada, Milan, Italy

Goshka Macuga, Atlas 
Permanent Installation, Fondazione Prada, Milan, Italy
Photo: Delfino Sisto Legnani and Alessandro Saletta

Goshka Macuga, Atlas  Permanent Installation, Fondazione Prada, Milan, Italy

Goshka Macuga, Atlas 
Permanent Installation, Fondazione Prada, Milan, Italy
Photo: Delfino Sisto Legnani and Alessandro Saletta

Press Release

Inside 6 exhibition levels of Torre, the project “Atlas”, which emerged from a dialogue between Miuccia Prada and Germano Celant, is unveiled. It hosts installations, paintings and sculptures in a sequence of environments incorporating solos and confrontations, created through assonances or contrasts, between artists such as Carla Accardi (Italy, 1924-2014) and Jeff Koons (United States, 1955), Walter De Maria (United States, 1935-2013), Goshka Macuga (Poland, 1967) and Betye Saar (United States, 1926), Michael Heizer (United States, 1944) and Pino Pascali (Italy, 1935-1968), William N. Copley (United States, 1919-1996) and Damien Hirst (United Kingdom, 1965), John Baldessari (United States, 1931-2020) and Carsten Höller (Belgio, 1961).

The group of exhibited artworks, realized between 1960 and 2016, represents a possible mapping of the ideas and visions of the artists that have contributed to the activities of the foundation throughout the years. “Atlas” therefore traces an evolving path between the personal and the institutional, open to temporary and thematic interventions, special projects and events, with possible integrations from other collections and institutions.

(Source)