On the occasion of the 100th anniversary of the Bauhaus, the Kestner Gesellschaft is presenting a solo exhibition by the Polish-British artist Goshka Macuga (*1967 in Warsaw, lives and works in London). In her work, Macuga questions historiography, especially key ideas of modernism such as a belief in progress, authorship, and utopia. In detective-like research, she finds breaks, pitfalls, and ambiguities in a supposedly linear narrative. This exhibition focuses on the Bauhaus, the influential school of art, architecture, and design, and its connection to the Kestner Gesellschaft. From 24 May to 4 August 2019, installations, sculptures, textiles, and collages by Goshka Macuga will be on view throughout the building. The artist is creating new works specifically for the exhibition at the Kestner Gesellschaft in collaboration with the London lighting designer Michael Anastassiades.
Prada presents What Was I?, a new exhibition project conceived by Goshka Macuga, with the support of Fondazione Prada. On view from 23 March to 2 June 2019, it will take place in the premises of Prada Rong Zhai, a 1918 historical residence in Shanghai restored by Prada and reopened in October 2017. What Was I? is a kaleidoscopic journey in the post-Anthropocene epoch, after the collapse of humankind due to the effects of technological overdevelopment. The protagonist of this unexpected voyage is an android created by Macuga and produced in Japan by A Lab for the exhibition presented in 2016 at the Milan venue of Fondazione Prada.
The Polish-British artist Goshka Macuga (born 1967) works in the field of installations, using media as varied as photo collage, sculpture, large-format tapestry, video and performance. She is known for her diverse approach that extends to the curatorial and the narrative. Using extensive artistic research, she develops storylines for her works and exhibitions in which she combines fiction and history. Her “materials” are pivotal moments in human history, as well as works by other artists, which she stages in playful displays.Macuga is interested in the myriad connections within cultural history, especially that of the international avant-gardes of the twentieth century.